The article elaborates on a post I published on Feb 18, 2019: Florence, Feb 22-24, 2019, Hotel Lombardi: Culture, Environment, and Open Innovation from the Farma Valley and friends.
The photo is actually a shot I made in Dec. 2016, just before the first Farma Valley Winter Fest. The view is from Piloni, looking North, with Torniella in the middle, and some power or telecom lines in the image.
Original article by Ilenia Pistolesi (see source). Translation by Andrea Giacomelli. Please also see the pibinko.org blog post with the full presentation which inspired the article, or write to email@example.com for more information.
Cecina Valley (Pisa), Jan. 23, 2019. Environment, land, and rural development. These are crucial topics, normally discussed in round tables by political think tanks, or as food for thought in conferences. Issues which make mayors suffer and environmental activists struggle. However, this time, we have music to blend high-level matters, with a thread of notes and melodies coming right from the heart of the Cecina Valley.
We are talking about the “Metalliferous Hills Jug Band”. This is a collective born in March 2017 and named in September 2018, with its base of operationi in the land of the Tuscan geysers.
The band originated from the collaboration of two young rock blues musicians, with three albums on their resume, an independent researcher with 25 years of international experience, musically active since 1986, and a German who relocated to Southern Tuscany.
On stage, the power of musical instruments alternates with talks and insights on the environment, thus joining in a single event live sounds and vocals to outreach and awareness raising on such paramount topics.
In a nutshell, they called this “Geomusic”: a brand new combination, an approach based on innovation, where two of the co-authors are original Cecina Valley musicians, i.e. Dario Canal and Simone Sandrucci.
This is a far from obvious approach to circulate ideas on “green” best practices.
In addition to the standard musical equipment by Etruschi from Lakota (Canal and Sandrucci’s main band), the collective brings on stage vintage instruments, found in their family attics, and actual scientific measurement instrumentation, such as a sky quality meter for light pollution monitoring, a lux meter, and various construction meters, occasionally used in the percussion section.
The collective, which has already performend on various stages, has also been presented to multiple research institutions, including the Italian National Research Council, the Politecnico di Milano and other Italian and foreign universities, raising a genuine interest for the rare and original combination of of art and the capacity of shedding a light on the environment from a very peculiar and unusual viewpoint.
This is an Italian newspaper, but the title might be a Blade Runner-like neolanguage, considering “con” as the English adjective, “il” for “Illinois” and “parte” as a typo or a creole version for “party”.
…in the presentation of the location this is indicated as “at the centre of one of the areas in Italy with the least level of light pollution, and not only”. Kudos to Maurizio Bacci for flagging the article.